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Sat, 01 Jun 2019 Term 1: Jun 4 - Sep 19
14 & Above: Tue & Thu: 6.30-8.30 AM
13 & Under: Tue & Thu: 6.30-8.30 PM
Rs.15,000 for 14 & Above
Rs. 12,000 for 13 & Under
The Bharatanatyam training program for Beginners is taught by Masoom Parmar.
Masoom combines his knowledge of Bharatanatyam and Physiotherapeutic principles to create a curriculum that makes students technically and anatomically aware. Learn Bharatanatyam in an inclusive, safe space through a new pedagogy involving the history of the form, Natyashastra, body conditioning, human anatomy and biomechanics. Classes provide traditional knowledge of Bharatanatyam along with pushing the creative and intellectual boundaries of the students making them ‘thinking’ dancers.
The curriculum is divided into 3 terms for 2019-2020.
** Term 1: June 01 – September 21
** Term 2: October 01 – December 21
** Term 3: January 06 – April 21
STUDIO & CLASS TIMINGS:
** 14 & Above: Tuesdays and Thursdays: 6.30-8.30 am
** 13 & Under: Tuesdays and Thursdays: 6.30-8.30 pm
FEES (per term):
** Rs.15,000 for 14 & Above
** Rs. 12,000 for 13 & Under
FOR MORE INFORMATION
WRITE TO firstname.lastname@example.org or email@example.com
CALL +91 78292 54973 or +91 77608 32226 (between 10am and 6.30pm)
ABOUT THE TEACHER
Masoom Parmar is an artiste, curator and arts manager based in Bangalore. He has trained in Bharatanatyam under Late Guru Jayalakshmi Alva, and is currently under the tutelage of Gurus Sri Kiran Subramanyam and Smt Sandhya Kiran. He has also had a brief training in Kathak and Odissi dance, thereby enriching his dance vocabulary. His dance is a fine amalgamation of these styles. He aspires to create work that is honest, relevant and in step with the times now.His current research focuses on voices of relatively unknown poetesses in the Indian subcontinent. As a curator, he looks at tradition with a modern mind, to explore the past to create a new, imaginative future. A gifted linguist with formidable interpersonal skills, Masoom has an uncanny ability to track down and build amiable professional relationships with dancers and art connoisseurs. This high level of operation has ensured him a budding future in the arts management scene.